On black, cream and rust, the alchemists' four colours and why you never fully arrive The Red Line: Most of my paintings begin in the dark. Not only in the way that sounds, although that too, but because I am an early riser and before I paint I walk, sometimes scrambling up parts of the Cotswold Way while the world is still asleep. At this time of year the paths are black when I set out, the stone walls only coming into view as the light comes up behind them. It is my time an

This blog explores beauty through time

Being both an integrative psychotherapist and an artist isn’t just about juggling two passions—it’s about the way they inform and feed...

Recently, I’ve been making sculptural lamps out of rocks. No precision carving, no rigid blueprints, just a raw connection between nature and function. I pick the stone, stare at it for ten minutes, and then figure out how I could make a lamp out of them. It is an intuitive process, more of a dialogue than a construction. But recently, I found myself drawn to something else, alongside the rocks: clay. So, feeling I needed a little guidance, I called up Honeybourne Pottery a

The power of bringing nature into interior design.